Lot 306, Auction 4/20/2026: Yang Yang Painting – Horse and Figures (2008)

$1,300.00

In stock

Yang Yang (Chinese-American, b. 1953). Two figures with horse. Mixed media painting on canvas, 2008. Signed at lower left and initialed and dated at lower right. Two nude figures emerge before a horse in this poetic composition by Yang Yang, their forms softly rendered in earthen and ash-gray tones. The trio stands in a dreamlike field of diffuse light, where human and animal boundaries seem to waver. The horse, its head tilted and mouth parted as if caught mid-thought, looms as a symbol of instinct and endurance. The figures, tender and weightless, mirror one another in gesture – one raising its arms as if to greet the creature, the other gazing outward with a quiet, knowing calm. Yang’s restrained palette and subtle textural layering give the surface a weathered translucence, as though the image has risen from memory. The subdued grays and ochres evoke both mist and flesh, dissolving distinctions between body, emotion, and landscape. Size of painting: 34.5″ W x 34.5″ H (87.6 cm x 87.6 cm); of frame: 37″ W x 37″ H (94 cm x 94 cm)

Within this harmony, the horse and humans appear connected not through action but through presence – an exchange of spirit rather than story. This work reflects Yang’s enduring exploration of myth and metamorphosis, where animals and humans coexist in states of emotional ambiguity. As in much of his oeuvre, there is no fixed narrative, only suggestion – an invitation to linger in the space between recognition and reverie, where the viewer becomes, in his words, one of “a thousand storytellers.”

About the artist: Born in 1953 in Nanchang, China, Yang Yang grew up in a household grounded in both engineering and education. His father, Yang Ge, was an engineer and his mother, Qi Hua Ling, a teacher. At age sixteen, Yang encountered the painter Zhu Yu Hu, whose influence would remain profound throughout his life. He later described Zhu not merely as an art teacher but as a mentor who shaped both his artistic foundation and his philosophical outlook.

In 1975, Yang graduated from Yichun Teachers College in Jiangxi. He began his teaching career at Xiao Gang High School and later taught at Nanchang Qishanhu School, balancing his duties as a literature instructor with an increasing devotion to art. During this period he also pursued further study at Jiangxi Teachers College, where professors Qixianmu and Zhang Yuanyou left a lasting impact on him – Yang would later call them “soul makers.”

In 1984, Yang Yang made a pivotal decision: he left China and moved to the United States to deepen his artistic studies. At Augustana College in Sioux Falls, South Dakota, he earned his Master of Arts degree in 1987 and joined the faculty there as an art instructor. His years in the Midwest proved formative, both academically and artistically, and introduced his works to American audiences for the first time. His early exhibitions gained critical attention, with works featured in publications such as “ArtNews,” “Interview Magazine,” and “Art & Antiques.”

Yang Yang’s art is marked by its mythical landscapes where animals and humans coexist in fluid, ambiguous states. His palette often gravitates toward monochromatic tones, layering texture and form to explore humanity in ways that defy racial or ethnic boundaries. His works provoke interpretation rather than provide resolution. As the artist himself has said: “There is no answer. You just have to think about it. If the artist does not tell the story, there will be a thousand stories.”

Throughout his career, Yang Yang has exhibited widely across the United States and internationally. He has shown at major institutions such as the Xi’an Art Museum in 2004, the Minneapolis Institute of Arts in 2007, and the ShanDong Art Museum in 2014. His work has been collected by notable institutions including the Mobile Museum of Art and continues to appear at international fairs such as Art Basel, Art Palm Beach, Scope Miami, and Art Hamptons.

With more than four decades of work, Yang Yang has cultivated a vision that transcends cultural boundaries. His paintings invite audiences into an illusory world – one where myth, history, and memory intermingle, and where every viewer becomes a storyteller.

Condition: Painting is in excellent overall condition. Mounted in custom frame with suspension wire on verso for display. Signed at lower left and initialed and dated at lower right.

Provenance: private Burbank, Illinois, USA collection via inheritance 2024, acquired between 1970s to 2000s

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