Veracruz Remojadas Pottery Semi-Nude Shaman Whistle (Auction 2026-06-05, Lot 48A)

$514.00

Pre-Columbian, Gulf Coast Mexico, Veracruz, Remojadas style, ca. 150 to 1 BCE. A Remojadas style pottery whistle figure depicting a standing female shaman, modeled with the characteristic wide-legged tripod stance and hollow body construction. Faint traces of red and black pigment remain across the face, chest, and headdress, showing that the figure once carried strong visual emphasis during use. The head is topped with an elaborate tiered headdress formed from horizontal coils and a central vertical element, with additional side ornaments framing the face. Large circular earspools and a modeled necklace further support her identification as a ritual practitioner. The facial features follow typical Veracruz conventions: narrow eyes, a straight nose, and a slightly parted mouth. Size: 3.8″ L x 5.3″ W x 7.8″ H (9.7 cm x 13.5 cm x 19.8 cm)

The exposed breasts are intentionally emphasized, a trait often associated with ritual authority, fertility, or shamanic transformation. The arms extend outward from the shoulders, creating a balanced, active pose suitable for ceremonial contexts.

At the back of the figure, the whistle mechanism remains fully functional. The projecting mouthpiece leads into the hollow body cavity, while the tripod legs provide stability and shape the internal sound chamber. Whistle figures of this type were likely used in performance, processions, or rites that combined sound, movement, and visual presence. This example reflects the technical and symbolic sophistication of early Veracruz ceramic traditions. Its preserved whistle function, detailed headdress, and confident stance make it a strong representation of a female shaman in the Remojadas style.

Publication: Cf. The Cleveland Museum of Art, 1995.93.

Provenance: Collection of Y. Kayvan, Los Angeles, California, USA, acquired from a Los Angeles, California, USA gallery acquisition dates range from the late 1990s to 2005

Condition: Still functions as a whistle. Professionally repaired and restored with resurfacing to some break lines, while others remain visible. Light surface wear, but, otherwise, nice presentation with liberal remaining pigments. Good preservation of detail.