Lot 248, Auction 4/3/2026: Erna Kaluza Painting – Mission Style Hacienda
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Lot 248, Auction 4/3/2026: Erna Kaluza Painting – Mission Style Hacienda

$390.00

In stock

Erna Kaluza (Austrian-born American, b. 1940s). Mission Style Hacienda. Acrylic on board, n.d. Signed at lower right. A cheerful vision of place unfolds in this painting by Erna Kaluza, where architecture, trees, and sky settle into a harmonious, storybook calm. At the center stands a whitewashed building rendered in simplified, rounded forms that recall mission style architecture, with its curving gable, thick walls, and rhythmic series of arched doorways. These elements are outlined in confident black lines, giving the structure both clarity and a gentle, almost animated presence. Color leads the eye throughout the composition. Warm ochres and oranges animate the tiled roof and branching trees, while a lavender ground and deep green foliage provide a playful counterpoint below. Flowering trees stretch across a bright blue sky, their dotted blossoms scattered like confetti, suggesting spring caught mid celebration. Size: 14.25″ W x 11.25″ H (36.2 cm x 28.6 cm)

The perspective is intentionally flattened, favoring pattern and balance over realism, a hallmark of Kaluza’s intuitive, naive style. The painting reflects Kaluza’s love of color and nature, evident in the way the trees dominate the scene, their branches arching protectively over the building. As a screen cartoonist by profession, she brings an animator’s sense of clarity and rhythm to the composition. Each shape reads instantly, each color choice feels purposeful, as if the scene could slip effortlessly into motion.

Signed at the lower edge, the work carries an unguarded warmth and sincerity. It does not aim to document a specific site, but rather evokes the spirit of place, where mission style architecture becomes a friendly backdrop to a landscape alive with color, memory, and quiet delight.

About: Erna Kaluza was born and raised in Vienna, Austria, where her love of drawing took root early, nurtured by a city steeped in art, music, and visual culture. As a teenager she met Leszek Kaluza, a young Polish animator whose passion for film and movement opened the door to the world of animation. Their shared curiosity quickly became a shared life. They married and, in 1960, emigrated together to the United States.

In New York, Erna began her professional career in animation at Paramount Animation Studio, contributing to beloved series such as “Popeye,” “Casper,” and “Beetle Bailey.” By the mid 1960s, she and her husband relocated to Los Angeles, where they became part of the golden age machinery of American television animation. Erna worked at Hanna-Barbera, Filmation, and Calico, animating on iconic productions including “The Flintstones,” “The Jetsons,” “The Archies,” “Batman,” “Superman,” “Widget,” and “Mr. Bogus.”

Although animation remained her profession, painting gradually became her personal artistic voice. Beginning in the late 1960s, Erna developed a style rooted in naive art, characterized by joyful color, direct composition, and an unguarded sense of wonder. She favors landscapes and cats as recurring subjects, treating both with warmth and quiet humor. After initially working in oils, she transitioned to acrylics to take advantage of their vivid palette and immediacy.

In recent years, Erna has expanded her practice into digital experimentation, using the computer to transform existing paintings into new compositions, giving familiar images unexpected second lives. Her work has been exhibited in California and Oregon, and her paintings are held in private collections throughout the United States and Europe.

Artist’s statement: “I am a screen cartoonist by profession. As is evident from my paintings, I love color, animals (especially cats) and nature in general.” (source: artist’s bio on Saatchi Art website)

Condition: Mounted in custom plexiglass frame. Small chip to upper left and some minor nicks to edges, but, otherwise painting and frame are in excellent overall condition with vibrant pigments and clear imagery. Signed at lower right.

Provenance: private collection of important Hollywood family, collected between 1930 and 1980

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